Devouring The Latest Festive Features: The Good, The Bad and The So-Bad-It's-Good.

‘Tis the time of year to lounge on the sofa and devour a tin of holiday pastries in front of a great film, a poor film, or one that’s awesomely awful.

This year, a crop of new Christmas films hopes to be part of our festive viewing—perhaps even joining the ranks alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (no arguments).

So, in a noble effort to separate the winners from the losers, and to get into the Christmas spirit, I binged as many recent Christmas films as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Beginning, ideally, on a good foot. This release is the only 2025 title on a famous website's list of the best 100 Christmas movies of all time.

The popular band end up stuck in the UK after wrapping up their international trek and must get home for Christmas. Their attempts are thwarted by an villainous Saint Nick, who bursts into melody to state they won’t get home until they “rediscover their brotherly magic.”

The back-and-forth between the bickering brothers is entertaining even for the casual viewer, while followers will certainly notice lots of easter eggs as they attempt to get back using all transportation available.

It’s private planes, trains and automobiles.

It’s not an all-time classic, but is excellent for fans and a positive start to the day.

Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.

Late Morning: Tinsel Town

Famous performer Kiefer Sutherland stars as a Hollywood star tricked into a "panto".

“A panto-what??” asks Sutherland’s “difficult” and older action hero Brad Mack, who has seen better days and whose agent has deceived him into thinking he’s starring in prestigious English theatre.

His pantomime fellow actors tell him he’s playing Buttons. “No I'm not,” he protests. One can imagine their retort. That is, unless you’re unfamiliar with traditional British theatre traditions.

There are some very funny lines, some touching storylines, and the rest of the cast is excellent, too.

It’s the sort of feature that would be a bit cheesy at any other time of year, but is a lot of fun at Christmas.

Holiday verdict: 🎄🎄🎄🎄

10.19am - Christmas Karma

A familiar face pops up at the beginning of this film, too, delivering a signature line for the next movie straight. Is this a new Christmas tradition?

This time, he’s a crooning chauffeur who encounters Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale unfolds as the tight-fisted Mr Sood is visited by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This Indian Scrooge is at least different from all the others, but regrettably he’s not very charismatic and Nayyar’s portrayal is flat—a significant issue when he’s so central to everything.

Christmas tree rating: 🎄🎄

Noon: A BBC Special

Before lunch for a network's Christmas comedy-drama—which stars Guz Khan as a charmingly cantankerous character who “isn't big on Christmas.”

But after he gets an £8,000 Christmas bonus at work, his wife (starring Morgana Robinson) talks him into splurging the cash on a vacation to Lapland.

There’s just one problem—he finds out there was an mistake with his bonus, which should have been £800, and he has to figure out how to return the excess.

Pleasant yet unmemorable.

Christmas tree rating: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those Christmas films where the festive trappings are in the setting—Christmas is the setting of the film rather than its raison d’etre—but it feels cosy and festive all the same.

Ambitious executive Sydney (starring Minka Kelly) is assigned to a vineyard to secure an acquisition for a sparkling wine company. On the way, she meets a guy in a literary haven who offers to show her Christmas in Paris.

A critic recently stated this is the best new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a festive dalliance with a dash of elegance and gives the obligatory cozy feelings.

The scene with a extended debate about Die Hard is particularly strong too.

Festive score: 🎄🎄🎄

3.29pm - Finding Father Christmas

Young Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the persuasion of his dad (played by James Buckley) to tell him otherwise.

The truth is somewhere, and Chris sets out to find it with the expert help of a team of well-known scientists and personalities.

It’s understated but charming, and good viewing while waiting for Santa to visit.

Festive score: 🎄🎄🎄

4.39pm - Oh. What. Fun.

Michelle Pfeiffer is the head of a quarrelling American family who come back together for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer begins by referencing Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the unsung heroes of the holidays—moms.”

So that’s the concept, but in reality it’s really a jumble of those inspirations, at least until Pfeiffer’s character finally takes center stage.

Festive score: 🎄🎄

6.43pm - A Scottish Christmas Secret

The day’s waned in quality, but fortunately here’s a new addition in the crowded field of cliched, saccharine, over-the-top—and highly entertaining—seasonal comfort food.

It’s a tale as familiar as can be: An American woman travels to a distant snowy land and ends up discovering romance.

In this case, Caprice Bourret plays a publisher

Aimee Black
Aimee Black

Lena Voss is a digital futurist and writer exploring the intersection of technology, society, and virtual worlds.